TUMBAO, NYC’s Hottest New Pop-Up, Celebrates Latin American Creativity

After working a couple of years within the trend trade, Valentina Pozo felt that she hadn’t seen the total potential for an area for Latin artwork, design, neighborhood, and hospitality realized. The end result? She based her personal: TUMBAO. TUMBAO, launched two years in the past, is a pop-up idea showcasing the work of rising Latin American designers, creatives and artists. Weaving short-term retail experiences with a recent celebration of Latinidad, TUMBAO makes use of trend to inform the tales of younger artists at a time when the world is trying to Latin America for freshness, expertise, and authenticity.
The vary of merchandise showcased at every pop-up are huge, from intricately woven clothing and jewelry from Colombia, to experimental knits from Ecuador, to hand-painted silks by the organizer herself, and way more.
Pozo’s first time launching one among these pop-ups was in Williamsburg, New York on a whim, “I didn’t actually know precisely what I needed to do, however I knew I needed to be there,” she shared. That whim developed right into a full-scale pop-up idea, leading to iterations like A Chambear A Chambear, a retail, efficiency and artwork collaboration with designer Sabrina Ol, hosted in Mexico Metropolis earlier this yr.
Now, Pozo has introduced TUMBAO again to New York underneath the title Que Se Hace Con Tanto Amor? [What Do You Do With All This Love?] — this time collaborating with Genoveva Pedrero, the designer of Mexican footwear and accent model de María. Much like Pozo, Pedrero noticed an absence of Mexican designers, however noticed Mexican designs appropriated by European manufacturers. She took the matter into her personal fingers and drew inspiration from her house, Chiapas, to develop an exquisite line that she labored with Mexican artisans to provide.
These two Latina powerhouses have come collectively to curate a singular and empowering retail expertise. Forward of their launch get together on Saturday, December tenth, we caught up with Pozo and Pedrero to debate neighborhood, collaboration, and what it means to foster the creativity of Latin artists.

Pozo on the opening of TUMBAO.
This dialog has been edited for size and readability.
My first query is for Valentina. Inform us about your journey with TUMBAO previously two years. How have issues grown from if you began within the winter of 2020 to the place it’s at now?
I began out within the trade working in trend as a gross sales affiliate at totally different small companies, primarily taking over supervisor roles as a result of they’d actually small groups. From there, I started serving to put collectively pop-ups for different worldwide manufacturers and one of many places the place we hosted was this house in Williamsburg, Brooklyn. After the pop-up was over, I stayed on the lease and invited some pals and their manufacturers to share the house with me. I believed it was going to final two weeks, nevertheless it lasted 8 months. The house had this massive space on the second flooring the place we began internet hosting exhibitions, and that’s the place the experiential a part of the idea started.
I used to be craving this bridge between the Latin neighborhood and the style and artistic worlds. [The first pop-up] began to draw lots of people. I noticed this was one thing folks have been actually responding to — not simply Latinos, however the market normally. We put collectively an exhibition with Muxdelandia, a DJ set by Nicola Cruz, a chef’s dinner, an open studio with artist Cassandra Mayela… TUMBAO is extra than simply retail. It grew to become this neighborhood, and thru this I noticed how a lot I get pleasure from customer support and hospitality.
Inform us in regards to the values you had in thoughts when creating TUMBAO.
I believe primary is high quality, care, and execution of the work. A phrase that I exploit a ton after I search for items is tesorito, I would like every bit to really feel like you could have a treasure in your fingers. Objects which might be crafted with a variety of care carry the vitality of the individuals who made them. I believe that individuals who come to buy can see that and may respect objects that require you to take a pause. The items are alive, and we’re calling to people who find themselves in search of that.
The factor is, a variety of the idea is leaning in direction of hospitality nevertheless it’s additionally meant to be a retailer, gallery, neighborhood house, and cultural house. So the items are artistic endeavors and, to me, the curation and the merchandising informs so much. Like, what does it imply to point out a costume subsequent to a sculpture? In A Chambear we noticed a variety of that. And a variety of [the designers] inform me, “promoting isn’t my energy.” So a pop-up like that is tremendous vital for them. And with my background in trend, I do know the stress of being a vendedora, and I hope that the TUMBAO platform can actually be helpful.
Additionally, friendship is all the things! I inform the designers, to be fully trustworthy that is simply an excuse for me to fulfill folks. This provides me the power to achieve out to those who I like a lot, and to kind friendships with individuals who share the identical values. It’s loopy to see how the designers develop into pals amongst themselves. Eso es todo para mi. That’s why this popup is known as Que Se Hace Con Tanto Amor? as a result of that has been the sensation on the finish of the pop up each time. I cry on the finish of each occasion we do, as a result of I’m simply so overwhelmed by how folks present up, the gratitude that the designers have, and the assist we’ve from pals who assist with the installations. It’s so overwhelming, it makes me suppose, “que se hace con tanto amor?” , the place do you place it? TUMBAO is mostly a container for all of that love.
- de Maria baggage on the TUMBAO opening.
- de Maria baggage on the TUMBAO opening.
Genoveva, you’ve described your model de María as “an moral equipment line celebrating the ability of design collaboration past borders, working with native Mexican artists and supplies.” Inform us about the way you began de María.
TUMBAO really performed a giant function in me founding de María. I keep in mind going to the primary TUMBAO in Williamsburg and being so amazed in any respect of those Latin designers. I keep in mind pondering — might I do that? May I be part of this?
I used to be born in Chiapas, Mexico. I lived there till I used to be 4 after which my household and I lived in San Diego, then we moved again to Mexico for highschool. It’s loopy the way it takes leaving to acknowledge how lucky you’re and the way wealthy your tradition is. In Chiapas, we’ve a extremely lovely artisanal neighborhood particularly with textiles and weavings, however rising up it wasn’t actually cool to put on native issues, you needed American manufacturers. I used to be at a retailer overseas and noticed these actually lovely painted boots with flowers, they have been like $1,000. My grandma checked out me and stated, ‘These look precisely like what they make in Chiapa de Corso.’ That’s when it hit me like ‘Why am I so enthusiastic about these European designs once they’re really stealing from my tradition?’ That made me reassess what’s vital to me, [I began] questioning how they’re making issues in an moral manner with good supplies.
What does it imply so that you can be producing your items in Mexico?
It is rather vital for me to pay homage to my roots. To me, being from Chiapas makes me insanely proud. Once I was born, there was a revolution in Chiapas with the Zapatistas and we needed to depart. I believe that’s one thing that’s all the time affected me emotionally, that my house had been taken away from me. So I believe for me it’s all about discovering your roots.

Pedrero on the TUMBAO opening.
How did the collaboration between de María and TUMBAO come about? What values do you share on this partnership?
To me, there isn’t a retailer like TUMBAO on the planet, particularly in New York proper now. As a designer, I can’t let you know a spot the place I might be as excited to be [a part of] as TUMBAO. It’s so vital to be offered in an area the place the shoppers perceive that the items listed here are artwork. All of our merchandise are fully 100% handmade, and hand lower. They’re very intricate to make and it’s a protracted course of. I do know that on this setting, all of those designers are in the identical headspace. I do know that we will all thrive right here collectively. It’s unimaginable what all of those designers are doing, and the way in which that Valentina has the expertise to hunt it out, perceive it, nurture it, and advertise at this stage is wonderful. Not anybody might do that. There are such a lot of limitations to having a model, however due to TUMBAO, I’ve gotten reached out to by different stockists.
Valentina: The entire designers primarily based in Latin America inform me that when they can have their items dropped at New York and offered right here, that they arrive again with a lot extra model recognition. They’re so excited to be in New York. So we put a variety of emphasis into communication with the designers who’re in Latin America and may’t be there. I do know that they’re anxious and I would like them to really feel taken care of. They find yourself being fairly completely happy on the finish of the pop ups.
Valentina, your final occasions befell in Mexico Metropolis and earlier than that in New York. Any plans to take TUMBAO again to Latin America, perhaps to Quito the place you’re from, and even LA?
Everybody tells me to go to LA! I might like to group up with any individual there to make it occur. I believe it could work so effectively there. If I’m being severe, I’m taken with doing a casa cultural. It’s actually vital to me that TUMBAO is malleable, and that it entails a variety of tradition. For instance, I actually like e book readings and exhibitions and panels and I really like the hospitality side of it. I’m additionally taken with dinners or restaurant ideas. Geno and I have been speaking about range and the designers that I supply, and find out how to give a chance to extra Latin American designers. I’ve thought so much about making a residency, the place they’ll have an exhibition in our house. That will be actually full circle for me.
So that you’re not solely wanting to present a platform but in addition foster their work and provides them an area to create. I can see how that’s already what’s taking place, like how de María was impressed.
I believe a variety of it’s about altering the general public notion of Latin America, and typically I lead with that, however different instances I don’t. Generally I need to step away from that mission somewhat as a result of actually [this is] nearly showcasing distinctive artists from Latin America. It’s actually vital for folks to know these artists and in addition for these artists to get stockists within the US. It may be the one manner for these designers to be offered within the US, and there’s usually not sufficient demand in Latin America.
- A costume by ÉLOPE. Picture through Valentina Pozo
- Picture through La Mar (@lama_r__)
How do you choose the manufacturers you characteristic on the pop-ups?
So that they’re all Latin American designers in fact. It’s essential to me that they’re a recent illustration of what we’re. I all the time say “no parece una tienda de aeropuerto”, it’s not like what you discover if you land on the airport in Quito. It’s a wide range of issues, some artists work with artisans who weave on looms, some are drawing references from cholo tradition, others are simply Latin and that’s sufficient too. So for me, it’s all about curation, but in addition ensuring that my designers are taken care of and that my clients are taken care of.
Inform me in regards to the items and designers that we will discover at TUMBAO. Are there some manufacturers featured at this popup that you simply’re enthusiastic about, perhaps new manufacturers, or a few of your favourite items you’re rocking proper now?
Certainly one of my favorites is known as UOQAUS, he’s a Salvadorian ceramic artist. Isshī is that this tremendous maximalist, aquatic embroidery and jewellery, the designer is unimaginable and so type. ÉLOPE makes these extremely intricate woven clothes and woven silver jewellery. La Mar, a Mexican model, makes actually unimaginable hair equipment with silver and supplies sourced from the ocean. Now we have so many wonderful items to share with folks.
You’ll be able to go to TUMBAO every single day from 12-7pm at 20 Orchard Road by way of December twenty third.
Photos by Flordalis Espinal.